Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone
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In fact, yes. The case as well as the Along with some Shure stickers, the box also includes a black foam tip.
In addition to Neumann mains, I frequently use these mics for choir spots. Clean and quiet, these mics have an upfront presentation, and the cardiod pattern is on the tight side, which lends itself to more isolation. When I use three fairly tight spots over an ensemble of 20, I use three fairly loose They can sound flat when used as a main mic in a coincident or near coincident pair, and do not render depth or space very If used relatively close, however, they offer a great deal of
They were used by a group of 6 people The gym was full of 12 high school singers. It is important not to put the monitors too close to the singers. You can control the gain and output level. These mics are great.
Selected User Reviews For Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone
Warmth is evident in their presence. There are some really great microphones here. It is warm, but not too warm, and the response is great and crisp. Fortunately, they include microphone mounts that are not shock mounts, but the mounts are of great quality and I haven't had any problems with phase. In the meantime, I have had no issues responding to vibrations either. My recordings of classical music are done with a Manfrotto Master Stand and a pair of these mics. There are also an adapter and a microphone mount included in the case that allows you to go from an I believe 5/8" mount to a standard microphone mount, so you will not need to purchase any additional items if you pair it with the Manfrotto stand. I like the case a lot. This headset feels very solid and sturdy and its hinges are not prone to coming undone randomly. The padding surrounding the microphones on all sides is also excellent. The mics worked effectively for recording an orchestra, but the dynamic range of the instrument should not be underestimated. Setting up your DAW in a way that records at very high and very low levels at the same time is needed. Using more mics is likely to pay off in the first place if you are recording an orchestra. Please PM me if you're interested in hearing samples of recordings of vocal and cello/piano performances recorded in an ORTF environment.
This one is by far the best that I have owned so far. The style of music I play is a blend of Latin/flamenco/smooth jazz. I find it to be a perfect match for my Flamenco Fusion Bose compact towers are really accurate and loud, and I use two of them for live performances. Response that is punchy, warm, emotional, with an excellent range of frequencies, as well as separation from room ambience and feedback. All in all a great deal of value, and my recommendation is highly recommended!.
When used with a classical guitar, the KSM 137 creates the best results, whether on a recording or in It is well worth the.
Here in bush Alaska, I am using a couple of these mics with a small group of singers. Their effectiveness is great, but sometimes they are too strong for some people. You may want to experiment with what distance from the source and what settings on your mixer you want to use. (It took me a while to get it right). If it fits within your budget, it is highly recommended.
A stringed instrument, such as an oud, is recorded using this device. The reproduction is very clear and crisp. It delivers on all aspects of its promise.
The mics are excellent. In this case, the price is reasonable for such a high level of.
The everything mic can be used for violins, overhead drums, choruses, and more. The sound is beautiful. I have tried other mics and none of them had the same high level of pick up while also resisting feedback like this one does.
I love it.