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Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone

Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone

Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone
$ 299.00

Score By Feature

Based on 29 ratings
Giftable
9.02
Packaging
9.33
Satisfaction
8.93
Customer service
9.26

OveReview Final Score

How Our Score Is Calculated

Product Description

High degree of consistency in cardioid polarity
Thinner than a human hair, Diaphragm provides exceptional transient response thanks to its 5 micron gold-layered 24 karat gold layer and low mass material
Transformerless, discrete Class A preamplifier with transparent sound, good transient response, no crossover distortion, and only minimal harmonics and intermodulation distortions .
A gold-plated internal and external connector as well as premium electronic components
Low frequency rumble from mechanical vibration (less than 17 Hz) is eliminated by the subsonic filter
A switchable 15 dB pad on the amplifier helps to handle very high sound pressure levels (SPLs).
The pad has three switching positions (0 dB, 15 dB, and 25 dB) to handle sound pressure levels (SPLs) of up to 100 dB.
Low-frequency filter with 3 switchable positions reduces background noise and compensates for proximity effects
A cardioid polar pattern, ultra-thin diaphragm, and transformerless preamplifier circuit are the key features.
An input pad with a switchable dB level (25dB or 15dB) for very high input SPL sources is available.
Discrete, transformerless, Class A preamp with fast transient response, no crossover distortion, transparent, and extremely fast transient response
Self-noise is low and the frequency response is extended.
The low-frequency filter has three positions that can be switched to reduce background noise and mitigate proximity effects
A cardioid polar pattern, an ultra-thin diaphragm, and transformerless preamplifier circuits are on board
The pad can be switched from 25dB to 15dB for sources with a high input SPL
Discrete, transformerless, Class A preamp with fast transient response, no crossover distortion, transparent, and extremely fast transient response

Questions & Answers

What is included with this kit? Do you mean the carrying case and microphone clip shown in the photo?

In fact, yes. The case as well as the Along with some Shure stickers, the box also includes a black foam tip.

What does this microphone look like and how does it sound for choral groups or groups of about 10-20 Do you think that two is better than three?

In addition to Neumann mains, I frequently use these mics for choir spots. Clean and quiet, these mics have an upfront presentation, and the cardiod pattern is on the tight side, which lends itself to more isolation. When I use three fairly tight spots over an ensemble of 20, I use three fairly loose They can sound flat when used as a main mic in a coincident or near coincident pair, and do not render depth or space very If used relatively close, however, they offer a great deal of

How does the mic work for a church chorus with about six people gathered If you could provide feedback on the performance of the system in that way, it ?

They were used by a group of 6 people The gym was full of 12 high school singers. It is important not to put the monitors too close to the singers. You can control the gain and output level. These mics are great.

Selected User Reviews For Shure KSM137/SL End-Address Cardioid Condenser Instrument Microphone

There are some really great microphones here
5/5

Warmth is evident in their presence. There are some really great microphones here. It is warm, but not too warm, and the response is great and crisp. Fortunately, they include microphone mounts that are not shock mounts, but the mounts are of great quality and I haven't had any problems with phase. In the meantime, I have had no issues responding to vibrations either. My recordings of classical music are done with a Manfrotto Master Stand and a pair of these mics. There are also an adapter and a microphone mount included in the case that allows you to go from an I believe 5/8" mount to a standard microphone mount, so you will not need to purchase any additional items if you pair it with the Manfrotto stand. I like the case a lot. This headset feels very solid and sturdy and its hinges are not prone to coming undone randomly. The padding surrounding the microphones on all sides is also excellent. The mics worked effectively for recording an orchestra, but the dynamic range of the instrument should not be underestimated. Setting up your DAW in a way that records at very high and very low levels at the same time is needed. Using more mics is likely to pay off in the first place if you are recording an orchestra. Please PM me if you're interested in hearing samples of recordings of vocal and cello/piano performances recorded in an ORTF environment.

Miles Liu
Miles Liu
| May 26, 2021
For a nylon guitar, this is amazing! My professional career spans 30 years, and I have owned numerous mics in both studio and live performance
5/5

This one is by far the best that I have owned so far. The style of music I play is a blend of Latin/flamenco/smooth jazz. I find it to be a perfect match for my Flamenco Fusion Bose compact towers are really accurate and loud, and I use two of them for live performances. Response that is punchy, warm, emotional, with an excellent range of frequencies, as well as separation from room ambience and feedback. All in all a great deal of value, and my recommendation is highly recommended!.

Scarlet Fowler
Scarlet Fowler
| Nov 20, 2020
It works well with classical guitar, whether it is electric or acoustic
5/5

When used with a classical guitar, the KSM 137 creates the best results, whether on a recording or in It is well worth the.

Michaela Krause
Michaela Krause
| Sep 07, 2020
The distance from the source as well as some other settings are worth playing with
5/5

Here in bush Alaska, I am using a couple of these mics with a small group of singers. Their effectiveness is great, but sometimes they are too strong for some people. You may want to experiment with what distance from the source and what settings on your mixer you want to use. (It took me a while to get it right). If it fits within your budget, it is highly recommended.

Royal Pineda
Royal Pineda
| Jun 07, 2021
A natural sound with a transparent, clear quality
5/5

A stringed instrument, such as an oud, is recorded using this device. The reproduction is very clear and crisp. It delivers on all aspects of its promise.

August Valenzuela
August Valenzuela
| Mar 14, 2021
This is a four star review
4/5

The mics are excellent. In this case, the price is reasonable for such a high level of.

Khalil Lynch
Khalil Lynch
| May 16, 2021
The mic is on everything
5/5

The everything mic can be used for violins, overhead drums, choruses, and more. The sound is beautiful. I have tried other mics and none of them had the same high level of pick up while also resisting feedback like this one does.

Crew Buck
Crew Buck
| Dec 15, 2020
I give it 5 stars
5/5

I love it.

Eileen Beard
Eileen Beard
| May 07, 2021

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