Shure Drum Microphone Kit for Performing and Recording Drummers, Conveniently Packaged Selection of Mics and Mounts with Options for Kick Drum, Snare Drum, Rack Toms, Floor Toms and Congas (DMK57-52)
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Mexico is the source of this product.
This microphone package does not come with any cords. You'll need to get your hands on some. If it helps, all of the microphones have standard xlr inputs.
Do you want to know if the DMK57- comes with mic clips? 52 kit? Yes, if that is the case. For the three SM-2000s, you get three Shure microphone clips. The total number of microphones is 57. The female end of the Beta 52 connects to a male screw (which is included with the A56D universal drum mounts). Also, the clips attached to the end of the 57's can be seen in the second picture provided by Amazon (the one where the case is open). Everything you see in that photo is yours! I hope this information is useful.
Both metal and wood hoops can be used with the clips. However, most users find that using a traditional mic stand is preferable because it prevents the mic from picking up unwanted sounds. The clips are suitable for use in a tense live situation, but they are rarely used for recording.
Selected User Reviews For Shure Drum Microphone Kit for Performing and Recording Drummers, Conveniently Packaged Selection of Mics and Mounts with Options for Kick Drum, Snare Drum, Rack Toms, Floor Toms and Congas (DMK57-52)
For live performances, standard microphones are used. Although there is more expensive equipment available, these are ideal for average live musicians and sound engineers. Because I haven't used mounting clips, I can't comment on their effectiveness.
My preferred guitar setup is a Shure SM57 with a MD421, with two SM57s for top and bottom snares. I use the beta52 for both inside the kick drum and bass amps because it can capture some beefy low end. It was well worth the money.
This pack was recommended to me by a drummer friend, so I purchased it. I had about 6 months to record with it before he moved on to another musical project; everyone knows the SM57 is a good mic, so I won't go into that. The Shure kick drum mic is well-made, has a nice design for the microphone input and mic stand attachment, and, most importantly, delivers a nice clean kick drum sound. It's well-written, precise, and easy to understand. I use it up close to capture the punch and click, while capturing the majority of the low end with a 15" PA speaker that I converted into a microphone and placed about 3 feet away. It all works well together. br>br>However, the clamps included in this package are completely useless. They're well-made and fit on nearly every drum I've tried them on, but no matter how tight you tighten them, they eventually come loose. Nobody wants to be in the middle of recording the best drum take only to discover that the clamp has loosened and the mic has been resting directly on the drum head for the entire recording. It's not a random flaw either; all three of my friends and I have the same problem. The majority of the time, they just sit in a studio drawer un-used. Regular mic stands are used and I use them for everything, which is a little disappointing, but the microphones are well worth it.
You'll need a heavy-duty tripod to mount the mics. For the 52A, use a duty boom or a low-standing mic stand. Some of the metal washers had slipped out of their plastic bags during transit, so I had to search the case for them when I got the package, but everything was there when I got it.
My husband is a musician, and we have a studio in our basement where he records his music. Granted, the acoustics aren't ideal, but we've made an effort to improve the situation by putting up blankets, carpeting, and other materials. He was previously recording on two bluebirds, and switching to this kit has completely changed the sound quality (for the better! ), even in our shabby makeshift "studio. " He's editing with Garage Band and can't say enough good things about these microphones.
They're popular for snare drums and guitar cabs, and they produce fantastic sounds. I'm sure you can get BETTER sound from other mics, but it's a very versatile mic that gives you a lot of bang for your buck. It's never a bad idea to have three mics in your bag. If you're doing live sound, this is especially important. Because I use stands in the studio, I can't comment on the included rim mounts because I haven't used mine live, but they appear to do the job. br>br>If I had to choose between the two, I'd go with the AKG D112 over the Beta 52. However, the price of this pack was too good to pass up. I own both and use them for different purposes depending on the sound I'm looking for. The Beta 52 isn't bothering me at all. It makes me very happy, and it has a place in the studio and at the venue. The Beta 52 is a more affordable option. especially if purchased as part of this bundle. So what's the point of having just one kick mic? Start with this pack, and if you need a different mic later on when you have more money, go ahead and buy it. The greater the number, the better. br>br>If you want to mic a drum kit on a budget, get these and a pair of small diaphragm condensers for overheads (perhaps MXL 603s), and you'll be good to go. br>br>Buy different microphones if you know exactly what you want and are willing to spend a little more. This is the package for you if you're on a budget (studio or live), need a starting point for decent gear, or are looking for a few SM57s and a Beta 52.
My recordings have been saved solely because of the bass mic. I've spent a little money, but I've had no issues recording. If you are looking for quality, this is a good investment.
This is a fantastic package. Every world-class studio uses the B52. The SM57, on the other hand, is the workhorse in almost any situation. It's great on the drums, but it's also great for a lot of other things. In my studio, the B52 is used for kicks and bass amps. I first acquired it because they are used by virtually every major recording studio, and I can see why. There isn't much else to say.
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