Alto Professional ZMX122FX | 8 Channel Compact Audio Mixing Desk with Built-In Effects, Four XLR Microphone Inputs and Two Stereo Inputs
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It has been used in the exact same way for this exact application & I love how it works. There are two channels in the system that could be used for microphones. So I suggest dividing the music between those two channels. Compared to the previous method, this is better because you get three levels of EQ. It is very easy to use these controls.
Aux inputs connected by RCA do not offer any EQing options. You can use this to connect your stereo signal to a channel on your mixer that has an EQ. Feel free to reach out to us through the contact information on our website if you have any other questions. Go to www.com/contact.
It might have Sub Woofer output, but I'm not sure. If you need to do that, you can use the monitor output
Selected User Reviews For Alto Professional ZMX122FX | 8 Channel Compact Audio Mixing Desk with Built-In Effects, Four XLR Microphone Inputs and Two Stereo Inputs
The software for mix and production). In the future, DAWs will be able to simply operate on whatever the inputs are, but with so many commercial ventures competing with themselves, we exist in an era filled with a lot of unnecessary waste. But yes, the Alto ZMX122FX does that. It is possible to get a good Left Right Stereo Mix of a small band into the recording or two tracks in the DAW.
After browsing Mixers here on Amazon for hours and reading all of the reviews, I ended up purchasing one. The ALTO ZMX862 Mixer was the choice that I made in the end. The usual way of restoring some life to a fading Fader is to spray some Shop Grade Alcohol into it and let it exercise the area, but this one was finally shot after working on it for some time. That's why I liked the fact that there are no faders on the ALTO ZMX862 Mixer, just regular turn pots. See in the reviews for every mixer being sold how common it is to have failing faders - it's one of the biggest problems with mixers. In some reviews, the ALTO ZMX862 Mixer has been criticized due to the different Pots that are located on the ALTO ZMX862 Mixer having differing 'feels' -- some are stiff while some are more effortless to turn. after two days of getting my new ALTO ZMX862 Mixer up and running, there is One Thing I am Certain Of, and that is that I did not notice anything humorous about how the pots worked. Even if that is the worst problem with this mixer, then I am inclined to say that it is probably the best on earth to begin with. What do I did notice that everything was much brighter through this ALTO ZMX862 Mixer than in my old Peavy6, so I had to dial down the mids and highs a bit more, but that could be the result of a much higher effective bandwidth in this Mixer. I don't notice any blurring or fogginess in the audio after connecting the Peavey mixer and the ALTO. The Peavey had great Total Harmonic Distortion specs (THD), and the ALTO didn't have THD specs. The ALTO ZMX862 Mixer sounds great after it has been dialed in. My method in detail is that I was getting the 'Conditioned' guitar signal from the amp's FX Send and sending it to one of the Peavey's Keeping the Peavey Connected to the Mixer's Main Out and Headphone Out, I split the FX Send signal and plugged it into the Mixer's own FX Return Input (FX Sends must return back to the Effects Send) . However, the new ALTO ZMX862 Mixer behaves differently from the old model. To use the AUX Channels with the ALTO ZMX862 Mixer to do the same as the guitar amp's FX Send and Return and the mixing console's Send and Return, you use the amplifier's FX Send and Return. It is still necessary to connect the FX Send input of the Amp to the Mic Input (mono), but the Mixer ALTO ZMX862 has an AUX Send and the connector marked "2 FX". I have a STEREO Send, and my Mustang III FX Return is a Mono, but the only way to convert a Stereo Out to a Mono Out is to jack a 1 4 inch Mono Plug into the Mixer Stereo Jack, and then it all comes out Mono. With my headphones connected that way, I didn't get much amplitude. As soon as I figured out what it was all for, it was very handy. My old Peavey could not be adjusted down far enough so that the amp could operate in the Sweet Spot because the Peavey signal sat so high into the amp that I had to keep the Master Volume of the amp really low in order for it to work well. There's something about the new ALTO ZMX862 mixer that I really like. As long as nothing squirrelly happens down the road, I will come back to take off a few stars and explain why it happened.
Please note
- This mixer is listed as an 8 channel mixer (16 if you include the FX, aux, etc. ) I find this to be There are how many channels in the final production with faders and aux sends? There are six. The Non-Government Sector
The household does not have pets and is non-smoking. I've used it on at least a dozen A perfect performance was always achieved. The mixer is great! I really like it. The only thing that would stop me from keeping it is I. - br>1. A digital mixer was used by me The second item In case of an emergency, I have a smaller mixer from Yamaha. As a result. 3
It's not necessary for me to have three Reverb is built in In the end, it is the reverb that counts). In all channels, no compression is applied. There are plenty of quiet and good preamps that will enable an SM57 to be used. Adding just three bands of EQ to anything will generally make it work well. The low-to-high pass should be cranked down, the high-to-low pass should be cranked down. Using it is easy, but it helps you manage It is pretty good to have the level meter. With just the meter, it's usually easy to dial in our levels so well that sound check doesn't require too many adjustments. It is impossible for me to find one criticism about this mixer. I suppose the power cord could have been a bit more robust, but it was mounted in a case with strain relief, so the cord never experienced any strain.
I am pleased with the sound. It has a 6 channel ZMX862 processor. A little project I was working on required at least two mic amps, and this seemed like an excellent way to acquire The phantom power supply has to be 48 volts. There is plenty of gain on the inputs to handle low O/P mics as well as plenty of head room, even with high O/P condensers. The noise floor was extremely low and there was not a trace of hum throughout. According to the panel, it performs what it says it will. All controls are smooth, solid, and feel good in the hand. There is also plenty of power available with the Headphone Amp. If you wish, you can even use a Mix-Mode The on-site charge is minus Meetings on the line. The sound of real microphones can be impressive, even on Zoom, as I have been demonstrating to my friends. When I (frequently) demonstrate my ASMR skills of opening a can of the Dark Irish Stout 1" to a well known Austrian mic, it It is especially effective when running the FX O/P through a little reverb box.
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